Creative writing ma

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Due to the creative nature of our courses, you will be considered on your own individual merit and potential to succeed. We encourage you to get in touch if you are predicted points below this range, thinking about transferring from another institution, or if you have other qualifications or professional experience as we may be able to consider you. More information is available on our  Apply page
 
English language requirements
You must have a minimum of Grade 4 (or C) or above in GCSE English Language, or equivalent, for entry to our undergraduate courses.
 
If English is not your first language, we accept a range of recognised language qualifications that are equivalent to the IELTS Academic minimum score of overall, with a minimum of in Reading, Writing, Speaking and Listening. If you require a Tier 4 student visa to study in the UK, you must take an approved Secure English Language Test (SELT) to fulfil government visa requirements. Please read more about language requirements on our  Apply page
 
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In the first two terms, we aim to provide you with your toolbox for when you start the novel. This covers every way in which you might approach constructing and writing and polishing your novel: we look at the word, the sentence, the paragraph, the chapter and the entire plotting and structuring of a full-length novel. During these terms, we encourage you to experiment with your writing, to find skills and aptitudes you didn’t know you possessed. We also examine published novels, taking them apart like clockmakers, to see how the constituent parts make them tick. That said, there is no literary criticism on this course – we are not theorists, we are a craft-based course, teaching you the techniques and devices (and pitfalls) required when writing your first novel.

Our notable visitors have included Ali Smith, A L Kennedy, Daljit Nagra and Jon McGregor . Wide-ranging topics have included: the role of the writer and politics; writing the self; the relationship between contemporary fiction and biography; the relationship between fictional and non-fictional autobiography; writers and their readers; the publishing world; contemporary ideas about language; gender and writing.

In both the Contemporary Contexts module and the workshops you will be asked to consider works by significant contemporary writers in relation to your own writing practice. Assessment is by a critical essay on a writer or literary issue. Full-time students take the Contemporary Contexts module in their first term and part-time students in their second year.

Tutorials will be offered at regular intervals during the year (12 in all).

"Since graduating with an MA with Distinction in Creative Writing from Swansea University, I have published three collections of poetry, founded Grievous Jones Press, and begun lecturing in Creative Writing. In the near future I will finish my PhD in Creative Writing and have books forthcoming with Blackheath Books and Seren Books. The training, experience, and rigour of the Swansea MA in Creative Writing was invaluable for launching my career as a writer and publisher. Without the inspiration, guidance, and critique of the excellent faculty and peers, my own writing would not have grown and my flame for creation might have faltered."

Creative writing ma

creative writing ma

"Since graduating with an MA with Distinction in Creative Writing from Swansea University, I have published three collections of poetry, founded Grievous Jones Press, and begun lecturing in Creative Writing. In the near future I will finish my PhD in Creative Writing and have books forthcoming with Blackheath Books and Seren Books. The training, experience, and rigour of the Swansea MA in Creative Writing was invaluable for launching my career as a writer and publisher. Without the inspiration, guidance, and critique of the excellent faculty and peers, my own writing would not have grown and my flame for creation might have faltered."

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